Znamy nominowanych do 65 edycji Grammy Awards !!!

 

 

 

 

 

 

 

 

News z ostatniej chwili !!!

Amerykańska Akademia Fonograficzna ogłosiła listę nominowanych do najbardziej prestiżowych nagród muzycznych na świecie. Najwięcej - aż dziewięć - nominacji otrzymała Beyonce, jednocześnie stając się rekordzistką wśród najczęściej nominowanych do tych nagród.

Nagrody Grammy uznawane są powszechnie za najważniejsze wyróżnienia muzycznym na świecie. Przyznawane są przez członków amerykańską Narodową Akademię Sztuki i Techniki Rejestracji, nazywanej także Akademią Fonograficzną.

Jubileuszowa ceremonia odbędzie się 5 lutego 2023 roku i przyznane zostaną w 91 kategoriach. W tym roku akademia wprowadziła pięć nowych kategorii. Są to: Autor/Autorka Piosenki Roku (muzyka nieklasyczna), Najlepszy Występ - Muzyka Alternatywna, Najlepszy Występ - Muzyka Americana, Najlepsza Ścieżka Muzyczna do Gier Wideo i Innych Mediów Interaktywnych oraz specjalne wyróżnienie dla najlepszej piosenki, która ma wpływ na zmianę społeczną.

Oto czego dotyczyć będą nowe kategorie

Najlepsza osoba autorska tekstów piosenek (Muzyka nieklasyczna): Wyróżnienie dla najbardziej płodnych autorów i autorek piosenek, którzy nie są wykonawcami ani producentami. Nagrodę otrzymają nowe utwory, wydane w ciągu roku poprzedzającego rozdanie nagród.

Najlepsze wykonanie muzyki alternatywnej: Kategoria, w której nagradzane będą najlepsze utwory w gatunku muzyki alternatywnej. Mogą być one w wykonaniu solowego artysty, współpracujących artystów, duetu lub grupy.

Najlepsze wykonanie muzyki Americana: W tej kategorii nagrodzone zostaną najlepsze utwory w gatunku Americana. Łączy on w sobie elementy tradycyjnych, amerykańskich oraz współczesnych gatunków muzycznych takich jak folk, country czy rock & roll.

Najlepsza ścieżka dźwiękowa do gier wideo i innych mediów interaktywnych: Uznanie dla albumów zawierających głównie oryginalne partytury, stworzonych specjalnie dla lub jako dodatek do aktualnej gry wideo albo innego interaktywnego medium wydanego w okresie kwalifikacyjnym.

Najlepszy album poezji mówionej: Kategoria albumów, w której nagradzane są albumy ze słowem mówionym. Nagrody otrzymają przedstawienia poezji z podkładem muzycznym, jak i bez.

Najlepsza piosenka na rzecz zmian społecznych: [Best Song for Social Change] Ta specjalna nagroda zostanie przyznana przez Komitet Błękitnej Wstęgi i dodatkowo zatwierdzona przez Radę Recording Academy. Zgłoszenia muszą zawierać treści liryczne, które dotyczą aktualnych problemów społecznych i promują zrozumienie, budowanie pokoju i empatię.

Jesteśmy bardzo zadowoleni, że możemy uhonorować tak różnorodną społeczność twórców. To w tym celu prezentujemy nowo ustanowione nagrody i modyfikacje. Będziemy także kontynuować kultywowanie środowiska, które inspiruje do zmian, postępu i współpracy. Najważniejszym priorytetem Akademii jest skuteczne reprezentowanie i godna służba na rzecz ludzi muzyki. Co roku wsłuchujemy się w głos naszych członków i członkiń. Wciąż usprawniamy nasze zasady i wytyczne, upewniając się, że odzwierciedlają one stale ewoluujący przemysł muzyczny

– powiedział w oświadczeniu dyrektor generalny Recording Academy, Harvey Mason Jr.

Najwięcej nominacji w tym roku zdobyła Beyonce. To szósty raz w historii nagród, gdy do artystki trafiła największa liczba nominacji (bądź dzieliła pierwsze miejsce z inną osobą). Beyonce ma dziewięć szans na Grammy 2023. W związku z tym, że jej mąż Jay-Z otrzymał pięć nominacji w tym roku, oboje stali się najczęściej nominowanymi artystami do Grammy. Każde z nich ma po 88 nominacji. Co jednocześnie oznacza, że Amerykanka wyprzedziła takie legendy jak Paul McCartney i Quincy Jones.

To nie wszystko. Beyonce dzięki singlowi "Break My Soul" znalazła się wśród kandydatów do Grammy w kategorii Nagranie roku. W ten sposób wyprzedziła w statystykach Franka Sinatrę, stając się najczęściej nominowaną osobą w tej kategorii. Jej najnowszy album "Renaissance" jest czwartą jej płytą, która znalazła się w kategorii Album roku. W ten sposób Beyonce jest najczęściej nominowaną Afroamerykanką w tej kategorii.

Tuż za Beyoncé w nominacjach w 2023 roku uplasował się Kendrick Lamar, który ma również trzy nominacje w kategoriach tak zwanej Wielkiej Czwórki (kategorie Album Roku za „Mr. Morale & The Big Steppers” oraz Nagranie i Piosenka roku za „The Heart Part 5”).

Adele i Brandi Carlile zdobyły po siedem nominacji do swoich już bogatych zdobyczy Grammy, podczas gdy sześciu artystów remisuje z sześcioma nominacjami a są to Mary J. Blige, Harry Styles, DJ Khaled, Future, The-Dream i inżynier masteringu Randy Merrill.

4 nominacje przypadły zespołowi ABBA !!!!

poniżej komplet kategorii z nominowanymi – kategorie- zachowałem z oryginalnym nazewnictwem

Record of the Year

“Don’t Shut Me Down,” Abba
“Easy on Me,” Adele
“Break My Soul,” Beyoncé
“Good Morning Gorgeous,” Mary J. Blige
“You and Me on the Rock,” Brandi Carlile featuring Lucius
“Woman,” Doja Cat
“Bad Habit,” Steve Lacy
“The Heart Part 5,” Kendrick Lamar
“About Damn Time,” Lizzo
“As It Was,” Harry Styles

Album of the Year

“Voyage,” Abba
“30,” Adele
“Un Verano Sin Ti,” Bad Bunny
“Renaissance,” Beyoncé
“Good Morning Gorgeous (Deluxe),” Mary J. Blige
“In These Silent Days,” Brandi Carlile
“Music of the Spheres,” Coldplay
“Mr. Morale & the Big Steppers,” Kendrick Lamar
“Special,” Lizzo
“Harry’s House,” Harry Styles

Song of the Year

“Abcdefu,” Sara Davis, Gayle and Dave Pittenger, songwriters (Gayle)

“About Damn Time,” Melissa “Lizzo” Jefferson, Eric Frederic, Blake Slatkin and Theron Makiel Thomas, songwriters (Lizzo)

“All Too Well (10 Minute Version) (The Short Film),” Liz Rose and Taylor Swift, songwriters (Taylor Swift)

“As It Was,” Tyler Johnson, Kid Harpoon and Harry Styles, songwriters (Harry Styles)

“Bad Habit,” Matthew Castellanos, Brittany Fousheé, Diana Gordon, John Carroll Kirby & Steve Lacy, songwriters (Steve Lacy)

“Break My Soul,” Beyoncé, S. Carter, Terius “The-Dream” Gesteelde-Diamant and Christopher A. Stewart, songwriters (Beyoncé)

“Easy on Me,” Adele Adkins and Greg Kurstin, songwriters (Adele)

“God Did,” Tarik Azzouz, E. Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts and Nicholas Warwar, songwriters (DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy)

“The Heart Part 5,” Jake Kosich, Johnny Kosich, Kendrick Lamar and Matt Schaeffer, songwriters (Kendrick Lamar)

“Just Like That,” Bonnie Raitt, songwriter (Bonnie Raitt)

Best New Artist

Anitta
Omar Apollo
Domi & JD Beck
Muni Long
Samara Joy
Latto
Maneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg

Best Pop Solo Performance

“Easy on Me,” Adele
“Moscow Mule,” Bad Bunny
“Woman,” Doja Cat
“Bad Habit,” Steve Lacy
“About Damn Time,” Lizzo
“As It Was,” Harry Styles

Best Pop Duo/Group Performance

“Don’t Shut Me Down,” Abba
“Bam Bam,” Camila Cabello featuring Ed Sheeran
“My Universe,” Coldplay and BTS
“I Like You (A Happier Song),” Post Malone and Doja Cat
“Unholy,” Sam Smith and Kim Petras

Best Traditional Pop Vocal Album

“Higher,” Michael Bublé
“When Christmas Comes Around…,” Kelly Clarkson
“I Dream of Christmas (Extended),” Norah Jones
“Evergreen,” Pentatonix
“Thank You,” Diana Ross

Best Pop Vocal Album

“Voyage,” Abba
“30,” Adele
“Music of the Spheres,” Coldplay
“Special,” Lizzo
“Harry’s House,” Harry Styles

Best Dance/Electronic Recording

“Break My Soul,” Beyoncé
“Rosewood,” Bonobo
“Don’t Forget My Love,” Diplo and Miguel
“I’m Good (Blue),” David Guetta and Bebe Rexha
“Intimidated,” Kaytranada featuring H.E.R.
“On My Knees,” Rüfüs du Sol

Best Dance/Electronic Music Album

“Renaissance,” Beyoncé
“Fragments,” Bonobo
“Diplo,” Diplo
“The Last Goodbye,” Odesza
“Surrender,” Rüfüs du Sol

Best Contemporary Instrumental Album

“Between Dreaming and Joy,” Jeff Coffin
“Not Tight,” Domi & JD Beck
“Blooz,” Grant Geissman
“Jacob’s Ladder,” Brad Mehldau
“Empire Central,” Snarky Puppy

Best Rock Performance

“So Happy It Hurts,” Bryan Adams
“Old Man,” Beck
“Wild Child,” The Black Keys
“Broken Horses,” Brandi Carlile
“Crawl!,” Idles
“Patient Number 9,” Ozzy Osbourne featuring Jeff Beck
“Holiday,” Turnstile

Best Metal Performance

“Call Me Little Sunshine,” Ghost
“We’ll Be Back,” Megadeth
“Kill or Be Killed,” Muse
“Degradation Rules,” Ozzy Osbourne featuring Tony Iommi
“Blackout,” Turnstile

Best Rock Song

“Black Summer,” Flea, John Frusciante, Anthony Kiedis and Chad Smith, songwriters (Red Hot Chili Peppers)

“Blackout,” Brady Ebert, Daniel Fang, Franz Lyons, Pat McCrory and Brendan Yates, songwriters (Turnstile)

“Broken Horses,” Brandi Carlile, Phil Hanseroth and Tim Hanseroth, songwriters (Brandi Carlile)

“Harmonia’s Dream,” Robbie Bennett and Adam Granduciel, songwriters (The War on Drugs)

“Patient Number 9,” John Osbourne, Chad Smith, Ali Tamposi, Robert Trujillo and Andrew Wotman, songwriters (Ozzy Osbourne featuring Jeff Beck)

Best Rock Album

“Dropout Boogie,” The Black Keys
“The Boy Named If,” Elvis Costello & the Imposters
“Crawler,” Idles
“Mainstream Sellout,” Machine Gun Kelly
“Patient Number 9,” Ozzy Osbourne
“Lucifer on the Sofa,” Spoon

Best Alternative Music Performance

“There’d Better Be a Mirrorball,” Arctic Monkeys
“Certainty,” Big Thief
“King,” Florence + the Machine
“Chaise Longue,” Wet Leg
“Spitting Off the Edge of the World,” Yeah Yeah Yeahs featuring Perfume Genius

Best Alternative Music Album

“We,” Arcade Fire
“Dragon New Warm Mountain I Believe in You,” Big Thief
“Fossora,” Björk
“Wet Leg,” Wet Leg
“Cool It Down,” Yeah Yeah Yeahs

Best R&B Performance

“Virgo’s Groove,” Beyoncé
“Here With Me,” Mary J. Blige featuring Anderson .Paak
“Hrs & Hrs,” Muni Long
“Over,” Lucky Daye
“Hurt Me So Good,” Jazmine Sullivan

Best Traditional R&B Performance

“Do 4 Love,” Snoh Aalegra
“Keeps on Fallin’,” Babyface featuring Ella Mai
“Plastic Off the Sofa,” Beyoncé
“’Round Midnight,” Adam Blackstone featuring Jazmine Sullivan
“Good Morning Gorgeous,” Mary J. Blige

Best R&B Song

“Cuff It,” Denisia “Blu June” Andrews, Beyoncé, Mary Christine Brockert, Brittany “Chi” Coney, Terius “The-Dream” Gesteelde-Diamant, Morten Ristorp, Nile Rodgers and Raphael Saadiq, songwriters (Beyoncé)

“Good Morning Gorgeous,” Mary J. Blige, David Brown, Dernst Emile II, Gabriella Wilson and Tiara Thomas, songwriters (Mary J. Blige)

“Hrs & Hrs,” Hamadi Aaabi, Dylan Graham, Priscilla Renea, Thaddis “Kuk” Harrell, Brandon John-Baptiste, Isaac Wriston and Justin Nathaniel Zim, songwriters (Muni Long)

“Hurt Me So Good,” Akeel Henry, Michael Holmes, Luca Mauti, Jazmine Sullivan and Elliott Trent, songwriters (Jazmine Sullivan)

“Please Don’t Walk Away,” PJ Morton, songwriter (PJ Morton)

Best Progressive R&B Album

“Operation Funk,” Cory Henry
“Gemini Rights,” Steve Lacy
“Drones,” Terrace Martin
“Starfruit,” Moonchild
“Red Balloon,” Tank and the Bangas

Best R&B Album

“Good Morning Gorgeous (Deluxe),” Mary J. Blige
“Breezy (Deluxe),” Chris Brown
“Black Radio III,” Robert Glasper
“Candydrip,” Lucky Daye
“Watch the Sun,” PJ Morton

Best Rap Performance

“God Did,” DJ Khaled featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy “Vegas,” Doja Cat
“Pushin P,” Gunna and Future featuring Young Thug
“F.N.F. (Let’s Go),” Hitkidd and Glorilla
“The Heart Part 5,” Kendrick Lamar

Best Melodic Rap Performance

“Beautiful,” DJ Khaled featuring Future and SZA
“Wait for U,” Future featuring Drake and Tems
“First Class,” Jack Harlow
“Die Hard,” Kendrick Lamar featuring Blxst and Amanda Reifer
“Big Energy (Live),” Latto

Best Rap Song

“Churchill Downs,” Ace G, BEDRM, Matthew Samuels, Tahrence Brown, Rogét Chahayed, Aubrey Graham, Jack Harlow and Jose Velazquez, songwriters (Jack Harlow featuring Drake)

“God Did,’ Tarik Azzouz, E. Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts and Nicholas Warwar, songwriters (DJ Khaled featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy)

“The Heart Part 5,” Jake Kosich, Johnny Kosich, Kendrick Lamar and Matt Schaeffer, songwriters (Kendrick Lamar)

“Pushin P,” Lucas Depante, Nayvadius Wilburn, Sergio Kitchens, Wesley Tyler Glass and Jeffery Lamar Williams, songwriters (Gunna and Future featuring Young Thug)

“Wait for U,” Tejiri Akpoghene, Floyd E. Bentley III, Jacob Canady, Isaac De Boni, Aubrey Graham, Israel Ayomide Fowobaje, Nayvadius Wilburn, Michael Mule, Oluwatoroti Oke and Temilade Openiyi, songwriters (Future featuring Drake and Tems)

Best Rap Album

“God Did,” DJ Khaled
“I Never Liked You,” Future
“Come Home the Kids Miss You,” Jack Harlow
“Mr. Morale & the Big Steppers,” Kendrick Lamar
“It’s Almost Dry,” Pusha T

Best Country Solo Performance

“Heartfirst,” Kelsea Ballerini
“Something in the Orange,” Zach Bryan
“In His Arms,” Miranda Lambert
“Circles Around This Town,” Maren Morris
“Live Forever,” Willie Nelson

Best Country Duo/Group Performance

“Wishful Drinking,” Ingrid Andress and Sam Hunt
“Midnight Rider’s Prayer,” Brothers Osborne
“Outrunnin’ Your Memory,” Luke Combs and Miranda Lambert
“Does He Love You — Revisited,” Reba McEntire and Dolly Parton
“Never Wanted to Be That Girl,” Carly Pearce and Ashley McBryde
“Going Where the Lonely Go,” Robert Plant and Alison Krauss

Best Country Song

“Circles Around This Town,” Ryan Hurd, Julia Michaels, Maren Morris and Jimmy Robbins, songwriters (Maren Morris)

“Doin’ This,” Luke Combs, Drew Parker and Robert Williford, songwriters (Luke Combs)

“I Bet You Think About Me (Taylor’s Version) (From the Vault),” Lori McKenna and Taylor Swift, songwriters (Taylor Swift)

“If I Was a Cowboy,” Jesse Frasure and Miranda Lambert, songwriters (Miranda Lambert)

“I’ll Love You Till The Day I Die,” Rodney Crowell and Chris Stapleton, songwriters (Willie Nelson)

“’Til You Can’t,” Matt Rogers and Ben Stennis, songwriters (Cody Johnson)

Best Country Album

“Growin’ Up,” Luke Combs
“Palomino,” Miranda Lambert
“Ashley McBryde Presents: Lindeville,” Ashley McBryde
“Humble Quest,” Maren Morris
“A Beautiful Time,” Willie Nelson

Best New Age, Ambient or Chant Album

“Positano Songs,” Will Ackerman
“Joy,” Paul Avgerinos
“Mantra Americana,” Madi Das and Dave Stringer with Bhakti Without Borders
“The Passenger,” Cheryl B. Engelhardt
“Mystic Mirror,” White Sun

Best Improvised Jazz Solo

“Rounds (Live),” Ambrose Akinmusire, soloist
“Keep Holding On,” Gerald Albright, soloist
“Falling,” Melissa Aldana, soloist
“Call of the Drum,” Marcus Baylor, soloist
“Cherokee/Koko,” John Beasley, soloist
“Endangered Species,” Wayne Shorter and Leo Genovese, soloist

Best Jazz Vocal Album

“The Evening: Live at Apparatus,” The Baylor Project
“Linger Awhile,” Samara Joy
“Fade to Black,” Carmen Lundy
“Fifty,” The Manhattan Transfer with the WDR Funkhausorchester
“Ghost Song,” Cécile McLorin Salvant

Best Jazz Instrumental Album

“New Standards Vol. 1,” Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton and Matthew Stevens
“Live in Italy,” Peter Erskine Trio
“LongGone,” Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade
“Live at the Detroit Jazz Festival,” Wayne Shorter, Terri Lyne Carrington, Leo Genovese and Esperanza Spalding
“Parallel Motion,” Yellowjackets

Best Large Jazz Ensemble Album

“Bird Lives,” John Beasley, Magnus Lindgren and SWR Big Band
“Remembering Bob Freedman,” Ron Carter & the Jazzaar Festival Big Band directed by Christian Jacob
“Generation Gap Jazz Orchestra,” Steven Feifke, Bijon Watson, Generation Gap Jazz Orchestra
“Center Stage,” Steve Gadd, Eddie Gomez, Ronnie Cuber and WDR Big Band conducted by Michael Abene
“Architecture of Storms,” Remy Le Boeuf’s Assembly of Shadows

Best Latin Jazz Album

“Fandango at the Wall in New York,” Arturo O’Farrill and the Afro Latin Jazz Orchestra featuring the Congra Patria Son Jarocho Collective
“Crisálida,” Danilo Pérez featuring the Global Messengers
“If You Will,” Flora Purim
“Rhythm & Soul,” Arturo Sandoval
“Música De Las Américas,” Miguel Zenón

Best Gospel Performance/Song

“Positive,” Erica Campbell; Erica Campbell, Warryn Campbell and Juan Winans, songwriters

“When I Pray,” Doe; Dominique Jones & Dewitt Jones, songwriters

“Kingdom,” Maverick City Music and Kirk Franklin; Kirk Franklin, Jonathan Jay, Chandler Moore & Jacob Poole, songwriters

“The Better Benediction,” PJ Morton featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers and Darrel Walls; PJ Morton, songwriter

“Get Up,” Tye Tribbett; Brandon Jones, Christopher Michael Stevens, Thaddaeus Tribbett and Tye Tribbett, songwriters

Best Contemporary Christian Music Performance/Song

“God Really Loves Us (Radio Version),” Crowder featuring Dante Bowe and Maverick City Music; Dante Bowe, David Crowder, Ben Glover and Jeff Sojka, songwriters

“So Good,” Doe; Chuck Butler, Dominique Jones & Ethan Hulse, songwriters

“For God Is With Us,” For King & Country and Hillary Scott; Josh Kerr, Jordan Reynolds, Joel Smallbone and Luke Smallbone, songwriters

“Fear Is Not My Future,” Maverick City Music and Kirk Franklin; Kirk Franklin, Nicole Hannel, Jonathan Jay, Brandon Lake and Hannah Shackelford, songwriters

“Holy Forever,” Chris Tomlin; Jason Ingram, Brian Johnson, Jenn Johnson, Chris Tomlin & Phil Wickham, songwriters

“Hymn of Heaven (Radio Version),” Phil Wickham; Chris Davenport, Bill Johnson, Brian Johnson and Phil Wickham, songwriters

Best Gospel Album

“Die to Live,” Maranda Curtis
“Breakthrough: The Exodus (Live),” Ricky Dillard
“Clarity,” Doe
“Kingdom Book One Deluxe,” Maverick City Music and Kirk Franklin
“All Things New,” Tye Tribbett

Best Contemporary Christian Music Album

“Lion,” Elevation Worship
“Breathe,” Maverick City Music
“Life After Death,” TobyMac
“Always,” Chris Tomlin
“My Jesus,” Anne Wilson

Best Roots Gospel Album

“Let’s Just Praise the Lord,” Gaither Vocal Band
“Confessio — Irish American Roots,” Keith and Kristyn Getty
“The Willie Nelson Family,” Willie Nelson
“2:22,” Karen Peck and New River
“The Urban Hymnal,” Tennessee State University Marching Band

Best Latin Pop Album

“Aguilera,” Christina Aguilera
“Pasieros,” Rubén Blades and Boca Livre
“De Adentro Pa Afuera,” Camilo
“Viajante,” Fonseca
“Dharma+,” Sebastián Yatra

Best Música Urbana Album

“Trap Cake, Vol. 2,” Rauw Alejandro
“Un Verano Sin Ti,” Bad Bunny
“Legendaddy,” Daddy Yankee
“La 167,” Farruko
“The Love & Sex Tape,” Maluma

Best Latin Rock or Alternative Album

“El Alimento,” Cimafunk
“Tinta y Tiempo,” Jorge Drexler
“1940 Carmen,” Mon Laferte
“Alegoría,” Gaby Moreno
“Los Años Salvajes,” Fito Paez
“Motomami,” Rosalía

Best Regional Mexican Music Album (Including Tejano)

“Abeja,” Reina Chiquis
“Un Canto por México — El Musical,” Natalia Lafourcade
“La Reunión (Deluxe),” Los Tigres Del Norte
“EP #1,” Forajido Christian Nodal
“Qué Ganas de Verte (Deluxe),” Marco Antonio Solís

Best Tropical Latin Album

“Pa’lla Voy,” Marc Anthony
“Quiero Verte Feliz,” La Santa Cecilia
“Lado A Lado B,” Víctor Manuelle
“Legendario,” Tito Nieves
“Imágenes Latinas,” Spanish Harlem Orchestra
“Cumbiana II,” Carlos Vives

Best American Roots Performance

“Someday It’ll All Make Sense (Bluegrass Version),” Bill Anderson featuring Dolly Parton
“Life According to Raechel,” Madison Cunningham
“Oh Betty,” Fantastic Negrito
“Stompin’ Ground,” Aaron Neville with the Dirty Dozen Brass Band
“Prodigal Daughter,” Aoife O’Donovan and Allison Russell

Best Americana Performance

“Silver Moon (A Tribute to Michael Nesmith),” Eric Alexandrakis
“There You Go Again,” Asleep at the Wheel featuring Lyle Lovett
“The Message,” Blind Boys of Alabama featuring Black Violin
“You and Me on the Rock,” Brandi Carlile featuring Lucius
“Made Up Mind,” Bonnie Raitt

Best American Roots Song

“Bright Star,” Anaïs Mitchell, songwriter (Anaïs Mitchell)

“Forever,” Sheryl Crow and Jeff Trott, songwriters (Sheryl Crow)

“High and Lonesome,” T Bone Burnett and Robert Plant, songwriters (Robert Plant and Alison Krauss)

“Just Like That,” Bonnie Raitt, songwriter (Bonnie Raitt)

“Prodigal Daughter,” Tim O’Brien and Aoife O’Donovan, songwriters (Aoife O’Donovan and Allison Russell)

“You and Me on the Rock,” Brandi Carlile, Phil Hanseroth and Tim Hanseroth, songwriters (Brandi Carlile featuring Lucius)

Best Americana Album

“In These Silent Days,” Brandi Carlile
“Things Happen That Way,” Dr. John
“Good to Be … ,” Keb’ Mo’
“Raise the Roof,” Robert Plant and Alison Krauss
“Just Like That…,” Bonnie Raitt

Best Bluegrass Album

“Toward the Fray,” The Infamous Stringdusters
“Almost Proud,” The Del McCoury Band
“Calling You From My Mountain,” Peter Rowan
“Crooked Tree,” Molly Tuttle and Golden Highway
“Get Yourself Outside,” Yonder Mountain String Band

Best Traditional Blues Album

“Heavy Load Blues,” Gov’t Mule
“The Blues Don’t Lie,” Buddy Guy
“Get On Board,” Taj Mahal and Ry Cooder
“The Sun Is Shining Down,” John Mayall
“Mississippi Son,” Charlie Musselwhite

Best Contemporary Blues Album

“Done Come Too Far,” Shemekia Copeland
“Crown,” Eric Gales
“Bloodline Maintenance,” Ben Harper
“Set Sail,” North Mississippi Allstars
“Brother Johnny,” Edgar Winter

Best Folk Album

“Spellbound,” Judy Collins
“Revealer,” Madison Cunningham
“The Light at the End of the Line,” Janis Ian
“Age of Apathy,” Aoife O’Donovan
“Hell on Church Street,” Punch Brothers

Best Regional Roots Music Album

“Full Circle,” Sean Ardoin and Kreole Rock and Soul featuring LSU Golden Band from Tigerland
“Natalie Noelani,” Natalie Ai Kamauu
“Halau Hula Keali’i O Nalani — Live at the Getty Center,” Halau Hula Keali’i O Nalani
“Lucky Man,” Nathan and the Zydeco Cha Chas
“Live at the 2022 New Orleans Jazz & Heritage Festival,” Ranky Tanky

Best Reggae Album

“The Kalling,” Kabaka Pyramid
“Gifted,” Koffee
“Scorcha,” Sean Paul
“Third Time’s the Charm,” Protoje
“Com Fly Wid Mi,” Shaggy

Best Global Music Performance

“Udhero Na,” Arooj Aftab and Anoushka Shankar
“Gimme Love,” Matt B and Eddy Kenzo
“Last Last,” Burna Boy
“Neva Bow Down,” Rocky Dawuni featuring Blvk H3ro
“Bayethe,” Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode

Best Global Music Album

“Shuruaat,” Berklee Indian Ensemble
“Love, Damini,” Burna Boy
“Queen of Sheba,” Angélique Kidjo and Ibrahim Maalouf
“Between Us … (Live),” Anoushka Shankar, Metropole Orkest and Jules Buckley featuring Manu Delago
“Sakura,” Masa Takumi

Best Children’s Music Album

“Into the Little Blue House,” Wendy and DB
“Los Fabulosos,” Lucky Diaz and the Family Jam Band
“The Movement,” Alphabet Rockers
“Ready Set Go!,” Divinity Roxx
“Space Cadet,” Justin Roberts

Best Audio Book, Narration, and Storytelling Recording

“Act Like You Got Some Sense,” Jamie Foxx
“All About Me!: My Remarkable Life in Show Business by Mel Brooks,” Mel Brooks
“Aristotle and Dante Dive Into the Waters of the World,” Lin-Manuel Miranda
“Finding Me,” Viola Davis
“Music Is History,” Questlove

Best Spoken Word Poetry Album

“Black Men Are Precious,” Ethelbert Miller
“Call Us What We Carry: Poems,” Amanda Gorman
“Hiding in Plain View,” Malcolm-Jamal Warner
“The Poet Who Sat by the Door,” J. Ivy
“You Will Be Someone’s Ancestor. Act Accordingly.,” Amir Sulaiman

Best Comedy Album

“The Closer,” Dave Chappelle
“Comedy Monster,” Jim Gaffigan
“A Little Brains, A Little Talent,” Randy Rainbow
“Sorry,” Louis CK
“We All Scream,” Patton Oswalt

Best Musical Theater Album

“Caroline, or Change,” John Cariani, Sharon D Clarke, Caissie Levy and Samantha Williams, principal vocalists; Van Dean, Nigel Lilley, Lawrence Manchester, Elliot Scheiner and Jeanine Tesori, producers; Jeanine Tesori, composer; Tony Kushner, lyricist (New Broadway Cast)

“Into the Woods (2022 Broadway Cast Recording),” Sara Bareilles, Brian d’Arcy James, Patina Miller and Phillipa Soo, principal vocalists; Rob Berman and Sean Patrick Flahaven, producers (Stephen Sondheim, composer and lyricist) (2022 Broadway Cast)

“MJ the Musical,” Myles Frost and Tavon Olds-Sample, principal vocalists; David Holcenberg, Derik Lee and Jason Michael Webb, producers (Original Broadway Cast)

“Mr. Saturday Night,” Shoshana Bean, Billy Crystal, Randy Graff and David Paymer, principal vocalists; Jason Robert Brown, Sean Patrick Flahaven and Jeffrey Lesser, producers; Jason Robert Brown, composer; Amanda Green, lyricist (Original Broadway Cast)

“Six: Live on Opening Night,” Joe Beighton, Tom Curran, Sam Featherstone, Paul Gatehouse, Toby Marlow and Lucy Moss, producers; Toby Marlow and Lucy Moss, composers/lyricists (Original Broadway Cast)

“A Strange Loop,” Jaquel Spivey, principal vocalist; Michael Croiter, Michael R. Jackson, Charlie Rosen and Rona Siddiqui, producers; Michael R. Jackson, composer and lyricist (Original Broadway Cast)

Best Compilation Soundtrack for Visual Media

“Elvis,” Various Artists
“Encanto,” Various Artists
“Stranger Things: Soundtrack From the Netflix Series, Season 4 (Vol 2),” Various Artists
“Top Gun: Maverick,” Harold Faltermeyer, Lady Gaga, Hans Zimmer and Lorne Balfe
“West Side Story,” Various Artists

Best Score Soundtrack for Visual Media

“The Batman,” Michael Giacchino, composer
“Encanto,” Germaine Franco, composer
“No Time to Die,” Hans Zimmer, composer
“The Power of the Dog,” Jonny Greenwood, composer
“Succession: Season 3,” Nicholas Britell, composer

Best Score Soundtrack for Video Games and Other Interactive Media

“Aliens: Fireteam Elite,” Austin Wintory, composer
“Assassin’s Creed Valhalla: Dawn of Ragnarok,” Stephanie Economou, composer
“Call Of Duty®: Vanguard,” Bear McCreary, composer
“Marvel’s Guardians of the Galaxy,” Richard Jacques, composer
“Old World,” Christopher Tin, composer

Best Song Written for Visual Media

“Be Alive” from “King Richard”; Beyoncé́ and Darius Scott Dixson, songwriters (Beyoncé́)

“Carolina” from “Where the Crawdads Sing”; Taylor Swift, songwriter (Taylor Swift)

“Hold My Hand” from “Top Gun: Maverick”; Bloodpop and Stefani Germanotta, songwriters (Lady Gaga)

“Keep Rising (The Woman King)” from “The Woman King”; Angelique Kidjo, Jeremy Lutito and Jessy Wilson, songwriters (Jessy Wilson featuring Angelique Kidjo)

“Nobody Like U” from “Turning Red”; Billie Eilish and Finneas O’Connell, songwriters (4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo, Grayson Villanueva)

“We Don’t Talk About Bruno” from “Encanto”; Lin-Manuel Miranda, songwriter (Carolina Gaitán — La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and “Encanto” — Cast)

Best Instrumental Composition

“African Tales,” Paquito D’Rivera, composer (Tasha Warren and Dave Eggar)
“El País Invisible,” Miguel Zenón, composer (Miguel Zenón, José Antonio Zayas Cabán, Ryan Smith and Casey Rafn)
“Fronteras (Borders) Suite: Al-Musafir Blues,” Danilo Pérez, composer (Danilo Pérez featuring the Global Messengers)
“Refuge,” Geoffrey Keezer, composer (Geoffrey Keezer)
“Snapshots,” Pascal Le Boeuf, composer (Tasha Warren and Dave Eggar)

Best Arrangement, Instrumental or A Cappella

“As Days Go By (an Arrangement of the ‘Family Matters’ Theme Song),” Armand Hutton, arranger (Armand Hutton Featuring Terrell Hunt and Just 6)
“How Deep Is Your Love,” Matt Cusson, arranger (Kings Return)
“Main Titles (Doctor Strange in the Multiverse of Madness),” Danny Elfman, arranger (Danny Elfman)
“Minnesota, WI,” Remy Le Boeuf, arranger (Remy Le Boeuf)
“Scrapple From the Apple,” John Beasley, arranger (Magnus Lindgren, John Beasley and the SWR Big Band featuring Martin Aeur)

Best Arrangement, Instruments and Vocals

“Let It Happen,” Louis Cole, arranger (Louis Cole)
“Never Gonna Be Alone,” Jacob Collier, arranger (Jacob Collier featuring Lizzy McAlpine and John Mayer)
“Optimistic Voices / No Love Dying,” Cécile McLorin Salvant, arranger (Cécile McLorin Salvant)
“Songbird (Orchestral Version),” Vince Mendoza, arranger (Christine McVie)
“2 + 2 = 5 (Arr. Nathan Schram),” Nathan Schram and Becca Stevens, arrangers (Becca Stevens and Attacca Quartet)

Best Recording Package

“Beginningless Beginning,” Chun-Tien Hsia and Qing-Yang Xiao, art directors (Tamsui-Kavalan Chinese Orchestra)
“Divers,” William Stichter, art director (Soporus)
“Everything Was Beautiful,” Mark Farrow, art director (Spiritualized)
“Telos,” Ming Liu, art director (Fann)
“Voyeurist,” Tnsn Dvsn, art director (Underoath)

Best Boxed or Special Limited Edition Package

“Artists Inspired By Music: Interscope Reimagined,” Josh Abraham, Steve Berman, Jimmy Iovine, John Janick and Jason Sangerman, art directors (Various Artists)
“Big Mess,” Berit Gwendolyn Gilma, art director (Danny Elfman)
“Black Pumas (Collector’s Edition Box Set),” Jenna Krackenberger, Anna McCaleb and Preacher, art directors (Black Pumas)
“Book,” Paul Sahre, art director (They Might Be Giants)
“In and Out of the Garden: Madison Square Garden ’81 ’82 ’83,” Lisa Glines, Doran Tyson and Dave Van Patten, art directors (The Grateful Dead)

Best Album Notes

“The American Clavé Recordings,” Fernando González, album notes writer (Astor Piazzolla)
“Andy Irvine and Paul Brady,” Gareth Murphy, album notes writer (Andy Irvine and Paul Brady)
“Harry Partch, 1942,” John Schneider, album notes writer (Harry Partch)
“Life’s Work: A Retrospective,” Ted Olson, album notes writer (Doc Watson)
“Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition),” Bob Mehr, album notes writer (Wilco)

Best Historical Album

“Against the Odds: 1974-1982,” Tommy Manzi, Steve Rosenthal and Ken Shipley, compilation producers; Michael Graves, mastering engineer; Tom Camuso, restoration engineer (Blondie)

“The Goldberg Variations — The Complete Unreleased 1981 Studio Sessions,” Robert Russ, compilation producer; Martin Kistner, mastering engineer (Glenn Gould)

“Life’s Work: A Retrospective,” Scott Billington, Ted Olson and Mason Williams, compilation producers; Paul Blakemore, mastering engineer (Doc Watson)

“To Whom It May Concern…,” Jonathan Sklute, compilation producer; Kevin Marques Moo, mastering engineer (Freestyle Fellowship)

“Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition),” Cheryl Pawelski and Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)

Songwriter of the Year, Non-Classical

Amy Allen
Nija Charles
Tobias Jesso Jr.
The-Dream
Laura Veltz

Best Engineered Album, Non-Classical

“Adolescence,” George Nicholas & Ryan Schwabe, engineers; Ryan Schwabe, mastering engineer (Baynk)

“Black Radio III,” Daniel Farris, Tiffany Gouché, Keith Lewis, Musiq Soulchild, Reginald Nicholas, Q-Tip, Amir Sulaiman, Michael Law Thomas and Jon Zacks, engineers; Chris Athens, mastering engineer (Robert Glasper)

“Chloë and the Next 20th Century,” Dave Cerminara and Jonathan Wilson, engineers; Adam Ayan, mastering engineer (Father John Misty)

“Harry’s House,” Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent and Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)

“Wet Leg,” Jon McMullen, Joshua Mobaraki, Alan Moulder and Alexis Smith, engineers; Matt Colton, mastering engineer (Wet Leg)

Producer of the Year, Non-Classical

Jack Antonoff
Dan Auerbach
Boi-1da
Dahi
Dernst “D’mile” Emile II

Best Remixed Recording

“About Damn Time (Purple Disco Machine Remix),” Purple Disco Machine, remixer (Lizzo)
“Break My Soul,” (Terry Hunter Remix) Terry Hunter, remixer (Beyoncé)
“Easy Lover (Four Tet Remix),” Four Tet, remixer (Ellie Goulding)
“Slow Song (Paul Woolford Remix),” Paul Woolford, remixer (The Knocks and Dragonette)
“Too Late Now (Soulwax Remix),” Soulwax, remixers (Wet Leg)

Best Immersive Audio Album

“Aguilera,” Jaycen Joshua, immersive mix engineer; Jaycen Joshua, immersive mastering engineer (Christina Aguilera)

“Divine Tides,” Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej and Herbert Waltl, immersive producers (Stewart Copeland and Ricky Kej)

“Memories … Do Not Open,” Mike Piacentini, immersive mix engineer; Mike Piacentini, immersive mastering engineer; Adam Alpert, Alex Pall, Jordan Stilwell and Andrew Taggart, immersive producers (The Chainsmokers)

“Picturing the Invisible — Focus 1,” Jim Anderson, immersive mix engineer; Morten Lindberg & Ulrike Schwarz, immersive mastering engineers; Jane Ira Bloom and Ulrike Schwarz, immersive producers (Jane Ira Bloom)

“Tuvayhun — Beatitudes for a Wounded World,” Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Nidarosdomens Jentekor and Trondheimsolistene)

Best Engineered Album, Classical

“Bates: Philharmonia Fantastique — The Making of the Orchestra,” Shawn Murphy, Charlie Post and Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater and Chicago Symphony Orchestra)

“Beethoven: Symphony No. 6; Stucky: Silent Spring,” Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

“Perspectives,” Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

“Tuvayhun — Beatitudes for a Wounded World,” Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Anita Brevik, Nidarosdomens Jentekor and Trondheimsolistene)

“Williams: Violin Concerto No. 2 & Selected Film Themes,” Bernhard Güttler, Shawn Murphy and Nick Squire, engineers; Christoph Stickel, mastering engineer (Anne-Sophie Mutter, John Williams and Boston Symphony Orchestra)

Producer of the Year, Classical

Jonathan Allen
Christoph Franke
James Ginsburg
Elaine Martone
Judith Sherman

Best Orchestral Performance

“Adams, John Luther: Sila — The Breath of the World,” Doug Perkins, conductor off Michigan Department of Chamber Music and University of Michigan Percussion Ensemble)

“Dvořák: Symphonies Nos. 7-9,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

“Eastman: Stay on It,” Christopher Rountree, conductor (Wild Up)

“John Williams — The Berlin Concert,” John Williams, conductor (Berliner Philharmoniker)

“Works by Florence Price, Jessie Montgomery, Valerie Coleman,” Michael Repper, conductor (New York Youth Symphony)

Best Opera Recording

“Aucoin: Eurydice,” Yannick Nézet-Séguin, conductor; Barry Banks, Nathan Berg, Joshua Hopkins, Erin Morley and Jakub Józef Orliński; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

“Blanchard: Fire Shut Up in My Bones,” Yannick Nézet-Séguin, conductor; Angel Blue, Will Liverman, Latonia Moore and Walter Russell III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

“Davis: X — The Life and Times of Malcolm X,” Gil Rose, conductor; Ronnita Miller, Whitney Morrison, Victor Robertson and Davóne Tines; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

Best Choral Performance

“Bach: St. John Passion,” John Eliot Gardiner, conductor (English Baroque Soloists; Monteverdi Choir)

“Born,” Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers and James Reese; The Crossing)

“Verdi: Requiem — The Met Remembers 9/11,” Yannick Nézet-Séguin, conductor; Donald Palumbo, chorus master (Michelle DeYoung, Eric Owens, Ailyn Pérez and Matthew Polenzani; The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Chamber Music/Small Ensemble Performance

“Beethoven: Complete String Quartets, Volume 2 — The Middle Quartets,” Dover Quartet
“Musical Remembrances,” Neave Trio
“Perspectives,” Third Coast Percussion
“Shaw: Evergreen,” Attacca Quartet
“What Is American,” PUBLIQuartet

Best Classical Instrumental Solo

“Abels: Isolation Variation,” Hilary Hahn
“Bach: The Art of Life,” Daniil Trifonov
“Beethoven: Diabelli Variations,” Mitsuko Uchida
“Letters for the Future,” Time for Three; Xian Zhang, conductor (The Philadelphia Orchestra)
“A Night in Upper Town — The Music of Zoran Krajacic,” Mak Grgic

Best Classical Solo Vocal Album

“Eden,” Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo D’Oro)

“How Do I Find You,” Sasha Cooke, soloist; Kirill Kuzmin, pianist

“Okpebholo: Lord, How Come Me Here?,” Will Liverman, soloist; Paul Sánchez, pianist (J’Nai Bridges and Caen Thomason-Redus)

“Stranger — Works for Tenor by Nico Muhly,” Nicholas Phan, soloist (Eric Jacobson; Brooklyn Rider and the Knights; Reginald Mobley)

“Voice of Nature — The Anthropocene,” Renée Fleming, soloist; Yannick Nézet-Séguin, pianist

Best Classical Compendium

“An Adoption Story,” Starr Parodi and Kitt Wakeley; Jeff Fair, Starr Parodi and Kitt Wakeley, producers

“Aspire,” JP Jofre and Seunghee Lee; Enrico Fagone, conductor; Jonathan Allen, producer

“A Concert for Ukraine,” Yannick Nézet-Séguin, conductor; David Frost, producer

“The Lost Birds,” Voces8; Barnaby Smith and Christopher Tin, conductors; Sean Patrick Flahaven and Christopher Tin, producers

Best Contemporary Classical Composition

“Akiho: Ligneous Suite,” Andy Akiho, composer (Ian Rosenbaum and Dover Quartet)

“Bermel: Intonations,” Derek Bermel, composer (Jack Quartet)

“Gubaidulina: The Wrath of God,” Sofia Gubaidulina, composer (Andris Nelsons and Gewandhausorchester)

“Puts: Contact,” Kevin Puts, composer (Xian Zhang, Time for Three and the Philadelphia Orchestra)

“Simon: Requiem for the Enslaved,” Carlos Simon, composer (Carlos Simon, MK Zulu, Marco Pavé and Hub New Music)

Best Music Video

“Easy on Me,” Adele; Xavier Dolan, video director; Xavier Dolan and Nancy Grant, video producers

“Yet to Come,” BTS; Yong Seok Choi, video director; Tiffany Suh, video producer

“Woman,” Doja Cat; Child., video director; Missy Galanida, Sam Houston, Michelle Larkin and Isaac Rice, video producers

“The Heart Part 5,” Kendrick Lamar; Dave Free and Kendrick Lamar, video directors; Jason Baum and Jamie Rabineau, video producers

“As It Was,” Harry Styles; Tanu Muino, video director; Frank Borin, Ivanna Borin, Fred Bonham Carter and Alexa Haywood, video producers

“All Too Well: The Short Film,” Taylor Swift; Taylor Swift, video director; Saul Germaine, video producer

Best Music Film

“Adele One Night Only,” Adele; Paul Dugdale, video director; Raj Kapoor and Ben Winston, video producers

“Our World,” Justin Bieber; Michael D. Ratner, video director; Kfir Goldberg, Andy Mininger and Scott Ratner, video producers

“Billie Eilish Live at the O2,” Billie Eilish; Sam Wrench, video director; Michelle An, Tom Colbourne, Chelsea Dodson and Billie Eilish, video producers

“Motomami (Rosalía TikTok Live Performance),” Rosalía; Ferrán Echegaray, Rosalía Vila Tobella and Stillz, video directors

“Jazz Fest: A New Orleans Story,” Various Artists; Frank Marshall and Ryan Suffern, video directors; Frank Marshall, Sean Stuart and Ryan Suffern, video producers

“A Band A Brotherhood A Barn,” Neil Young and Crazy Horse; Dhlovelife, video director; Gary Ward, video producer